AUDIO PRODUCTIONMethodically tailored audio engineering
In addition to being apart of on-set productions, I spend much of my time working with companies and individuals on optimizing their recorded audio, noise repairing damaged or incomplete recordings, and exporting audio to the industry’s high standards. Here are a few examples of projects I have been apart of utilizing my post-audio production skillset.
- Noise repair: De-noise, Lav mic rustle repair, de-reverb, de-plosive
- Sound imaging: Utilizing impulse response technology to match newly recorded audio into existing recorded scenes.
- Audio Specification Delivery: Shipping audio to required audio specifications including ITU-R BS.1770-1
- Zoom-Call / streaming vocal repair: Restore frequencies above 4 kHz, and turns grainy audio recorded over the phone or video conferencing into clear, articulate recordings.
Rx 8 Advanced is the industry-standard suite for audio repair and polishing for film, television, music, podcasts, video games, sample libraries, and more.
- Spectral Repair
- Guitar De-noise
- Music Rebalance
- Loudness Control
- Variable Time
- Variable Pitch
- Mouth De-click
- Spectral De-ess
- Voice De-noise
- Breath Control
- Spectral De-noise
Insight 2 comes loaded with industry-standard loudness profiles, ensuring that your final mix is broadcast-ready.
With a complete set of meters to analyze any session, Insight offers a valuable perspective on any aspect of your mix, including loudness, intelligibility, spectral balance, and more. learn more
FabFilter was founded in 2002 by Floris Klinkert and Frederik Slijkerman and is based in Amsterdam. They are known for making exceptional tools for audio processing that look great, such as the award-winning Pro-Q 2 plug-in. They don’t try to create plug-in versions of previous hardware, but rather they invent new ways of looking at familiar tools we know and love. Their algorithms are well thought out and focus on specific tasks, and sound quality is valued above everything else. Every FabFilter plug-in has an easy-to-use, well-designed interface aimed at providing unsurpassed workflow that never fails to raise the bar. Learn More
Ozone 9 helps make mastering easier with AI-powered assistive audio tools that give you an instant starting point. New source separation technology in Master Rebalance lets you correct instrument levels before starting your master, or add excitement to key sections. Have the final say in any mix with complete control of your sound. learn more
In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early ’80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the ’90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware. learn more
Every Kush processor – both analog and digital – is obsessively designed to open up new sonic possibilities for your art while keeping you firmly in ‘right brain’ creative mode. Every control can push your sound into unexpectedly cool territories. Every eq filter and compression curve, every distortion fingerprint… all of it was carefully crafted by a master of sound. learn more